Beyond the tragic tropes that often plague queer representation in cinema, the characters in Rohan Kanawade’s Sabar Bonda don’t settle for the bare minimum
Sabar Bonda, the first-ever Marathi film at Sundance, doesn’t bury its gays
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Beyond the tragic tropes that often plague queer representation in cinema, the characters in Rohan Kanawade’s Sabar Bonda don’t settle for the bare minimum
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